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Archive for the ‘competitive advantage’ Category

The “New” United / Continental Branding

Tuesday, March 1st, 2011
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First – after a crazy couple of months, I figured it’s about time I finally got back to posting on my blog. And, with yesterday’s introduction by United Airlines of their new advertising campaign, it made me realize something.

The new United Airlines branding….sucks!

I read a great article in Fast Company about the new United brand – and I agree. For those that don’t know the whole story, United basically acquired Continental. Since about 1974, United’s branding has included what some would call iconic – the “tulip”. OK…so it looked more like a “W” than a “U”. It was designed during the height of disco – almost 40 years ago. But the designer was the legendary Saul Bass – who, ironically, also designed the logo Continental used until the early ninety’s (known as the “meatball”).

The whole point of a logo – and of branding – is to differentiate your company from your competition – which is the easy part. The harder part is to associate a positive emotion with that image – both so that you are remembered, but also so that when a buying decision is being made, that positive emotion overrules the emotion to associate with the competition.

With the new “United” branding – first, it causes confusion. They took all of the “look & feel” of Continental, replace the word “Continental” with “United” and ran with it. But, the problem with this approach is – for those that are making a choice – the question is then asked “who am I flying?”  Now, there has been the argument out there that the branding is irrelevant – what is important is the service. Continental did rebuild their service after Frank Lorenzo nearly destroyed the airline back in the 90′s (to the point where he was banned from ever being involved with a airline again) – but United also not only survived bankruptcy – but came back stronger.

Given that it was a merger of near equals, at least in many flying customers minds – to me, it would have made more sense to merge the branding to signify the merger. For example – keep the tulip on the tail, pick up the font used in the word “Continental” (which would have also been a nice tie back to the serif font of United’s “stars & bars” branding of the early 70′s, but keep the gold / blue of Continental.

Again – there are two arguments about the branding. One is that people don’t care. The other is that people do care. To truly merge the two brands as suggested above – if no one really cares anyway, there is no damage. But, if people do care – well….it makes sense to put a bit more thought and effort into your branding before you abandon brand elements that have nearly 40 years of brand equity around them.

Thoughts on Customer Perception

Friday, July 10th, 2009
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I just watched a commentary about GM’s exit from bankruptcy, and the struggles it will face moving forward. Specifically, that in recent customer approval ratings upon ranking issues they had with their new car purchase, the statistical difference between a Chevy product, and a Toyota product, were insignificant. Yet, the public perception of quality between these two brand is huge!

How many times have we made a choice between two brands based on our perceptions, rather than reality? And, later on, either found out we made the wrong choice, or that had we made the “other” choice, the result would have been the same?

I think about what we see & hear in the media. How that shapes our perceptions. How what our friends and family say about an experience shapes our purchasing decisions. And, from a brand management perspective, how can we re-shape and re-manage those perceptions in a social-media controlled environment.

It used to be quite simple. Do a big ad-spend over a significant amount of time, get some good PR around your product – and everything would improve. No longer. One bad experience means thousands of instant Twitter posts, Facebook status updates, and instant market share loss. What’s the solution?

Simple. Never let your guard down. Whatever you do when you interface with the customer – do more. Do it better. Your product needs to provide a better experience than it does now – and you need to keep improving it. And, ask your customers what they think! Don’t ever assume – anything. Research, learn, implemient. Rinse & repeat.

Now…the bigger question – will your accounting department and your shareholders understand this concept?

More on American Car Design…

Wednesday, June 10th, 2009
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I recently got a comment from a reader, who took issue with some of my past comments on why it seems that American car manufacturers seem to design “less than attractive” cars. His points were that so have the Japanese & European manufacturers…and with attitudes like mine, no wonder the American automotive industry is in such crisis.

I applaud his brand loyalty. There are plenty of things I’m also loyal to – and I wish one of them was cars from the American car industry. But, his logic is flawed, in my opinion. Based on his note, the problem isn’t that we’ve built ugly cars, it’s that people just need to buy American. To a degree, he’s right – if we’d bought more American cars, we wouldn’t see GM shedding brands and declaring bankruptcy, nor would we see Fiat now a large owner of Chrysler.

But, let’s take my opinions out of the equation for a moment. Reality – the American buyer votes with his bank account…and there are a multitude of reasons why he/she hasn’t voted American nearly as much recently as, say, back in the 1960’s.

So, let’s take a look at “1969 vs. 2009”.

  1. Market Penetration. In 1969 – there wasn’t Datsun / Nissan, or Honda, or Toyota, or Subaru, or Mazda, or Kia, or Hyundai….and the list goes on. What the American automotive machine was competing against was either poorly made cheap British & Italian cars, or the VW Beetle. And, American build quality was world-leading. But, the cars were simple. Frame, body, engine, carburetor, wheels, suspension, brakes. Performance was measured by adding a bigger engine, and maybe cutting down on the overall mass of the car – which is how the muscle car grew in popularity initially. Competition between GM, Ford & Chrysler kept the lines moving. And, yet, when it came to performance cars, American cars were a good value. Now, 2009. American cars have to compete not only with their much improved counterparts “across the pond”, they also have had to compete with a whole new group from Asia, which even if everything else was even, would still contribute to a loss of market share over the last 40 years.
  2. Value for the Money. In 1969, as I mentioned above, you could build a car for a pretty inexpensive amount of money. Safety requirements, emissions requirements, reliability expectations were all much lower. So, there was not only room to pay the labor costs associated with the car, but still make a good sized profit. Now, in 2009, labor costs, along with the costs of meeting safety and emissions requirements, have caused the cost to build a car to explode. Unions still expect their workers to get paid the wages they’ve negotiated, retired workers still need their pensions, and shareholders still want their ROI. So, the accountants have gotten involved – and even though the overall reliability of American cars has drastically improved over the last 20 years, they still feel “cheap” inside. Hard plastic, cheap materials, and lost options abound on the lower-tiered cars in order to hit their price points. Yet, with lower labor costs, no union pensions, and a different shareholder perspective, have allowed European and Asian manufacturers to create cars that “feel” more expensive in comparison.
  3. Management Myopia. 1969 had the “Big Three” competing with themselves for the most part. When the rush of inexpensive, and eventually reliable, Asian cars rolled in during the 70’s gas crisis, it seems that one of two things happened. Either management ignored the threat, or with our American desire for “instant gratification”, the Big 3 shareholders handcuffed management’s need to change the companies and their resulting corporate cultures to chase after the “immediate ROI”. I suspect it was a bit of both. Case in point – GM was the early innovator in the late 1990’s with battery / hybrid technology with the EV1. Yet, they killed the car because they felt the need to chase Ford & Chrysler for SUV market share – and transferred those development dollars to Hummer. Now, Hummer is being sold to a Chinese company, and Toyota currently leads the way.

To be fair, not all American cars suck. The new Chevy Malibu – very attractive, and back to providing good value for the money. Same with most of the Cadillac line. Dodge still builds some of the best trucks, not to mention most attractive. But, of the three, Ford in my mind still leads the way. The Mustang – just about perfect. The truck lines – spectacular. And, unlike the other two, Ford does know how to build small cars – the Focus has always felt more expensive than it was, and the upcoming Fiesta is a world leader.

It’s not that I want the American car industry to fail –far from that. I want to see them truly regain the position that they’ve lost over the last 40 years. But, to “Buy American” just because it’s American – doesn’t keep us competitive. It doesn’t force us to do our best. Competition is good. It’s even better when – finally - it seems that the Big 3 have woken up, and realized that they aren’t competing anymore with each other – they are now on a world stage, and have to cut back, build attractive cars that provide safety, reliability, value – and are just as attractive from a design perspective as anything from Europe or Asia.

Here’s hoping they do it!

Why the economic downturn can drive good design

Tuesday, March 17th, 2009
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We’ve just come out of a time where, let’s face it – the conspicuous consumption of the last 10 years dwarfs what we saw during the 80’s. We’ve had reality shows that show young girls being chauffered in Lamborghini’s to “sweet 16 parties” that cost the same amount of money that AIG employees got (or now, might just get taxed out of) for bonuses.

And, things moved on at such a swift pace, that as long as it was “pretty” – people would buy it. 15 years ago, who ever heard of the term, “Do you speak Prada?”. Now, with budgets scaled back, and people actually taking the time to think about what they are buying – now is actually a great time for products that are built on the concept of “form follows function”.

I’ll use Chrysler vs. Ford as one example. Both companies have, over the last 15 years, built vehicles that are attractive. But design goes beyond “pretty”. Design isn’t just how it looks – it’s how it works. Good design means you don’t have to think about how to use it – you just use it. In the most recent surveys done by Consumer Reports, had both GM and Chrysler at the bottom of the list in reliability, with Ford fourth from the bottom. (USAToday – 27 Feb 09). And, yet, both design cars such as the Dodge Viper, the Chrysler 300M, the Ford Mustang, and even the now discontinued Ford GT – that are quite attractive.

Another example is Apple products compared to…well, just about any competing product. During the downturn, Apple has introduced the new “unibody” Mac’s, the iPhone, new iPods, and now the Shuffle. Sales may have dropped a little, but to hear that Lenovo (which makes great systems, by the way) has had to lay of people at their factories in China – seems to be showing that the combination of good visual design, good ergonomic design, and good mechanical design – are what are becoming key to sales.

Basically, it’s coming down to this – if people are going to spend, they want it to last, and they want to be proud of it. Architect Sarah Susanka has been a proponent for years of smaller spaces, with money spent on the details. Over the last “boom” – the goal seemed to be to buy bigger homes – yet, not necessarily better homes. Last year, for the first time in 10 years – the average square footage of new single-family homes actually fell from 2,629 in the second quarter, to 2,343 in the fourth quarter, according to US Census Data.

We’re seeing a return to common sense. We want more out of less. We want to feel connected to what we have spent our money on. Those who produce designs that help create a long-term emotional bond to the brand, to the product, and to the company that produced them, will be the winners once we rebound out of this downturn.

The Future of Motoring?

Monday, February 2nd, 2009
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I realize that the Toyota Prius is the current “in” car - you can save the planet while driving a truly boring car - and now Honda has something that I think is not only far beyond the Prius in terms of “hybrid techonology” - it doesn’t look like a toaster on wheels!

When does the sports car version come out?

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